From the moment you hear the strains of his music, you immediately know that you’re not listening to an ordinary artist. For SoulBrotha, also known as SB, all the little details that differentiate between the ordinary and spectacular are present as he connects with music lovers.

On November 25, 2011, SB will release his Southpaw EP, a collection of songs that are as much personal to the young lyricist as they are artistic. The first single from the project “Way of Love (Never Out of Season)” was released in November, and will have an accompanying video prior to the EP’s official release.

SB explains that crafting Southpaw was an intense process, driven by true passion for reaching the masses through musical expression.

“Due to the situations and challenges I was facing at the time of writing the songs for Southpaw, I consider it a very special project dear to my heart,” explains SB. This is my most personal and intimate record yet, and really shows my growth as a songwriter. All the songs were written performed by me, so this has given me a unique opportunity to showcase different strengths and talents I knew I had all along.”

SoulBrotha brings his charismatic, undeniably versatility to each song he writes, spinning tales of passionate romance on one track, speaking on the hazards of superficiality on another. SB is a firebrand MC in conceptual command of his aesthetic. He blends brutal honesty with spirituality and action, while calling attention to social issues with the ferocity of a cultural revolutionary and the precision of a surgeon.

SB first showcased this multi-dimensional sound on his widely-praised debut album Ezekiel Hanani LP. He continued this tradition on 2008’s Exodus mixtape, which ended up on many critics’ year-end lists.

He kicked off 2009 with the first ever concept song about the micro-blogging behemoth, Twitter. Within hours of its release, “The Twitter Song” had the Internet ablaze, cementing SB’s ability to inspire audiences all across the board.

Despite his online buzz and regional success in the U.S., specifically his current home of Houston, Texas, SB is not resting on his laurels and has his sights on breaking ground in Nigeria, his first love. Unapologetic about his Christian faith, SoulBrotha’s sound reflects exposure to a wide array of influences, thanks in part to his unique heritage; born to Delta State parents, raised in PortHarcourt, inundated with a vast array of eclectic influences.

“I think being Nigerian affords me the ability to expand in the most creative fashion,” he asserts. “I was raised on so many genres of music, and my background offers a unique perspective on the world and socio-political events. The music scene in Texas has always been rooted in a DIY mentality. We don’t wait for things to be handed to us, we just go and do what needs to be done. I’ve been blessed to be surrounded with a great team of people who share my vision, and are passionate about the kind of music I’m making.”

Southpaw marks a new era of sound for SB, and he acknowledges that he’d like fans to relate to both the lyrics and melodies throughout the project. He feels that the artistic connection with producers on the EP definitely contribute to that sensibility.

“Both producers Joe Andriulli and BroadNMarket are close acquaintances of mine,” SB explains. “I’ve known BNM for several years, and this was our first project together. We’ve found a ‘lane’ of sorts where we can both express ourselves creatively, same for Joe as well. As for the messages in the lyrics, for those familiar with my previous work, it’s still the same motivational lyrics that are faith-based, and are intended to inspire and evoke a winner-mentality in everyone.”

From heartfelt anthems to soul-shaking rhythms, this renowned MC is sure to leave an indelible impression on music-lovers.

“I want people to understand that I’m just a man who isn’t perfect, but is striving to be the best person he can be for his family, friends, and for the world at large,” says SB. “I am here for a reason – we all are – and until one’s purpose for existence is fulfilled or achieved, one can never truly enjoy the best life has to offer. I will keep on making music that is cutting edge and timeless. I hope to inspire and motivate our generation, and hopefully future generations to come.”

For interviews and press information, contact dove@tygereye.net

From the runway to the university to the DJ booth, Adriana Carrillo-Hsu is the epitome of the total package. Adriana brings a refreshing style in her delivery of multiple music genres, and she is setting pace to be the next big name in the nightlife arena. Between celebrity-driven parties on the lively Las Vegas strip to regular gigs in the Southwest region, Adriana is quickly becoming the go-to DJ for promoters in the know.

With a professional background in events and marketing, Adriana brings her vast knowledge of the business, from conception to performance and execution. Currently pursuing a Juris Doctorate Masters in International Marketing to follow her three completed Bachelor’s of Arts degrees from Arizona State University, this exotic beauty, whose unique looks stem from Peruvian and Chinese roots, has also proven successful in the fashion sector. She has appeared in several national and international print features, with more in the works.

Adriana has always set her sights high. She was introduced to the world of dance at age 3, and was always moving to the beat in her ballet, jazz, tap, or even flamenco shoes. Some things never change, because you will still catch her dancing any time music is playing. Throughout her childhood, Adriana learned to play a number of musical instruments, including traditional piano, violin, harp and the ancient 古箏 (guzheng or zither).

Adriana was introduced to Hip Hop by her older brother, and her knowledge of music within diverse genres grew as she did. The combination of musical passion and the sheer love of entertaining a crowd led Adriana to DJing. Of course her goal was to take her own enthusiasm for music to the masses, but not without learning the fundamentals of the art like some of her idols.

“There are a few female DJs that I really look up to,” Adriana explains. “As turntablists. Tyra from Saigon and DJ Shortee have influenced me, and as far as utilizing their name and fame for a good cause, DJ Tina T with Camp Spinoff is great. As far as rocking a club, I love DJ Kayper. I was fortunate to learn some good tricks in turntablism when I decided to make it my full-time career by an amazing battle DJ. I personally feel that since I was 18, I have gotten to hone my programming skills, and latch on to the energy and vibe that really gets the crowd going.”

Although Adriana continues to be inspired by those who have blazed trails before her on the turntables, she is beginning to carve out her own niche in the diverse world of DJing.

“I’ve been surrounded by music my whole life, so I’ve been a slave to rhythm as long as I’ve known,” says Adriana. I bring the complete package; the talent and skill mixed with the right music in any genre, a great attitude which can be felt through my set, and also a classy appeal that draws people in. So many girls try and bank on their looks, but that can only open the door for them. The opportunity for females is there, and I excel to be not only the best female DJ, but the best DJ that I can be. I will earn the respect from the people that came before me and those to follow, because I have the passion for it. I don’t do it for the money or fame – even though neither of the two hurt!”

With new goals on the horizon, Adriana is picking up steam in Vegas, with frequent travel to Hong Kong, Los Angeles, Taipei, Scottsdale, Miami and New York. The Las Vegas scene alone provides unparalleled energy, especially when it comes to some of the world’s best DJ’s rolling through to kick off the parties.

“To me, Vegas is the definition of variety! In one night, I can hear DJ Vice, Skrillex, Deadmau5 and A-Trak! In one week? Incorporate, DJ Reach, Alesso, Afrojack, Calvin Harris, Manufactured Superstars, Steve Angello and more. Inside of a venue like Marquee, I could hear Hip Hop from Eric D-Lux and House from Dash Berlin in the same hour. It is incredible. Granted, other cities are graced with the presence of these amazing DJs, but we get it weekly! I have lived all over the U.S. – Scottsdale, NYC, Chicago, Miami, L.A. – and in Asia – Taipei and Hong Kong. I have gotten the best of every city and, have created a style that is my own. I am in tune with what can keep the dance floor moving and the drinks pouring!

“I feel that not everyone can go out to places in Vegas every night,” she continues. “They get all dressed up, they pay top dollar for an amazing vacation, and they come to clubs like Marquee, XS, Surrender, or Pure because they want to have nights that they will remember forever! As a DJ, it is my passion and desire to make sure they get everything they ask for and more. Now, I want to bring a little bit of Vegas with me everywhere I travel to play.”

Rounding out the year into 2012, Adriana will be increasing her exposure across the United States. Her goal is to travel to embark upon more world travel in the next year, and she aspires to become a brand ambassador for companies that understand her vision. Additionally, she has also taken on remixing songs, and will eventually delve into professional music production.

“I would really like to work with production more,” explains Adriana. “I sing and I play the harp and the piano, so music just runs through my blood. When it comes to remixes, I love making a song into something completely different without ruining the original. I would like to eventually remix songs with my own production or my singing down the road. I’m just taking it one step at a time.”

For interviews and press information, contact dove@tygereye.net

NexCyx [nex-ix] – a connection between varying personalities.

NexCyx began in 2004 as a musical experiment on the University of West Indies campus in Barbados. Since then, it has evolved into a celebrated outfit, with a repertoire of original hit music, and a solid—and growing—fan base. The five personalities that form NexCyx today are as diverse as their stories are intriguing.

The Barbadian pop band is an artistic mishmash of a self-taught pianist turned producer (André), a drumming prodigy (Chad), an accidental bass guitarist (Kris), a one-woman dancer-singer-rapper (Mahalia) and a hardcore rocker (Russell).

NexCyx exudes an unmistakable energy—it’s fresh, upbeat, bold and unmistakable. In 2010, when they welcomed Chad, drumming wonderchild, to their lineup, they dished out an extra serving of youthful swagger. Together, they’re just what the music industry ordered, it seems. And the fans aren’t complaining either.

In under a decade, NexCyx has played at a range of venues throughout North America and the Caribbean region, while holding down a demanding gig schedule in Barbados, where their singles are in heavy rotation at local stations.

“Gossip Girl,” released in 2009, became the band’s breakout single and instantly landed as a fan favorite. Hits like “Queen,” “On The Floor” and the socially conscious “Take A Minute,” also followed, etching a place for NexCyx on the international music stage—and ushering in a new era of fandom.

A high school auditorium filled with screaming students belting out the band’s hits word for word tops the cake for Russ. And there are other meaningful band experiences that stand out for each member: opening for Erykah Badu and Angie Stone to wild applause, hopping on to the SXSW stage two years in a row, and performing to rave reviews at a concert headlined by Jamaican musical duo, Brick and Lace.

There are plenty memorable moments when the band is off stage, too—especially when they’re on tour. There are stories of leaving nightclubs on the back of a pickup truck, Russ’ mysterious keeling over post-gig in St. Maarten and Chad’s mischievous jaunts to unspeakable places that don’t always end well.

It’s these types of experiences that help define their inimitable musical flavor. In their words, if it were an icecream, it would be loaded with nuts (lots of them), chocolate, gummi worms and tequila—with a cherry on top.

That said, there is a distinctive camaraderie that the band shares, which musical groups the world over struggle to achieve.

Admittedly hard to brush aside when you’ve got goals as big as theirs: placement of NexCyx’ tracks in movies, TV shows and video games; major concert gigs (on top of the Eiffel Tower, Madison Square Garden and the American Airlines Arena in Miami, FL, to be precise); plus, an attractive distribution deal.

And it’s not that farfetched when their journey in music so far is considered. There’s an MTV Artist of the Week accolade in their history already—and an Artist of the Month title from Rockwired.com.

So what else should fans know about NexCyx as their career takes off even further?

That they love Axe, Converse, Oakley, Ray-Ban and Sennheiser—and collectively follow Cristiano Ronaldo, Dave Chappelle, Jessica Alba, Rihanna and Rescue Animals on Twitter.

How’s that for varying personalities?

For interviews and press information, contact dove@tygereye.net

Bay Area rap icon San Quinn is celebrating the July 19 release of Can’t Take the Ghetto Out a Ni**a in association with Prominent House Records and Select-O-Hits! The 18-track album features appearances from E-40 and various artists from San Quinn’s own Done Deal 772 Entertainment label.

A native of Oakland, San Quinn relocated to the notorious Filmore district of San Francisco, and began his career as a teen in the early ’90s alongside J.T. the Bigga Figga. He made his professional debut in 1994, when he contributed to the first two official Get Low releases, J.T.’s Playaz N’ the Game and the Get Low Playaz’s Straight Out the Labb.

Prior to that, Quinn had recorded an underground album, Don’t Cross Me, which was re-released by Get Low in 2000, and during his tenure with Get Low, he recorded the solo projects Live N Direct and Hustle Continues, both distributed widely by Priority in 1996. Quinn then moved on to teamed with Messy Marv on Explosive Mode (1998) and began recording solo albums for various independent labels, beginning with The Mighty Quinn (2001) for Champeli.

Between his solo albums, collaborative efforts, mixtapes and compilations, San Quinn has contributed to nearly three dozen full-length projects in his 20-year career. With the new singles “Big Bank” and “On dat Vodka” featuring E-40 and Goldy both picking up with radio, San Quinn is looking forward to developing his Done Deal 772 Entertainment imprint in the coming months.

FULL BIO COMING SOON!

For interviews and press information, contact dove@tygereye.net

Curtis Mayfield is to Soul music what IN CASE OF EMERGENCY is to Hip Hop today. Social consciousness that cuts to the core, mixed with intoxicating tracks for the ladies that paint pictures in real time. IN CASE OF EMERGENCY (I.C.E.) fills a void that can only be captured by ‘digging in the crates’ for the music you love, transcending genre with energy and passion.

On September 20, 2011, the five-member band will digitally release their self-produced EP We are I.C.E.. The men of I.C.E. hope that audiences they play for are transformed with the feeling that Hip Hop is alive and stronger than ever, with each fan fulfilled by the explosive performance energy.

Fronted by lyricist Props, the instrumentation is handled by Malik on percussion, Hiro on guitar, Verne on bass, and Rob on keys. Japan-born Hiro is the newest member of the band, joining the New York music vets for the perfect accent on the I.C.E. sound.

There is no denying that In Case of Emergency’s music demands your attention with speakeasy hooks and provocative melodies. I.C.E. sets the stage for a sound that can only be surmised as an experience, combining elements of classic Hip Hop from the past, present and future. It’s no wonder that their energy has been compared to critically acclaimed band The Roots.

Through their performances in the Northeast and Mid-Atlantic regions, I.C.E. has been revered by world-renowned clubs, allowing them to hold showcases for consecutive months. They attract new fans and earn respect from their peers with every performance.

With We are I.C.E. the band intends on inspiring and capturing the hearts and minds of people across the country as a force to be reckoned with.

“We want fans to know that they can have it all musically; from the lyrics and flow to the sound and vibe,” explains Props. “This album showcases our diverse range, pleasing not only the truest Hip Hop heads, but also R&B and Rock fans. We are a one-stop shop for your ears. Expect what you want while experiencing something you didn’t know you were missing…until now!”

For interviews and press information, contact dove@tygereye.net

For many Jersey girls, the stigma of being a Garden State native can be overwhelming. The good news is that you can’t believe everything you see on television, and there are modern-day women in New Jersey who are breaking the current stereotype of big hair and leopard print accessories.

Enter Rosalind, a young songwriter and entertainer who is carrying on the musical tradition of Jersey-born multi-talents like Lauryn Hill, Akon, Queen Latifah and Whitney Houston.

On October 18, 2011, Rosalind will release her second original project entitled CocoaButter N Vitamin E: Part 1, with the second volume slated for release in Spring 2012. Fully produced by New York cross-genre remix duo SoundwaVVe, CocoaButter N Vitamin E will bring music fans an edgy display of Rosalind’s provocative, theatrical songs, kicked off by the first single “Hate Myself.”

A native of Essex County, New Jersey, Rosalind realized her talents when she wrote her first song at just 9-years-old. Her father was a club promoter who also sold and used drugs, and her mother was a Ford model-turned-mom who raised her children with as much structure and faith as she could.

Throughout her childhood, Rosalind honed her vocals in church, recorded and performed at various venues in the Northeast region. At 16, Rosalind performed at the famed Apollo Theater in Harlem, and went on to get a full scholarship at Berklee College of Music in Boston.

Rosalind acquired a great amount of knowledge from Berklee, and later moved back to New Jersey to begin creating her own musical empire. In 2008, she worked with director and graphics specialist Roc Davis on her first music videos “Myspace” and “Rydah,” which were featured on Rosalind’s first digital album Ready. In 2010, Rosalind teamed with Design Digital Films for her “Hustler” video, which featured rapper French Montana.

As 2011 began, Rosalind brought freshly written songs to the creative men of SoundwaVVe to begin preparation for her second project CocoaButter N Vitamin E. She feels confident that her passion to create has grown immensely in the past three years, and draws from a variety of influences in her songwriting, including Mariah Carey, Erykah Badu, Death Cab For Cutie, Ne-Yo, Frank Ocean, Alanis Morissette, Missy Elliot, Drake and Kendrick Lamar.

“My music brings vulnerability to music lovers,” explains Rosalind. “I feel that a lot of artists are extremely scared to be vulnerable, like they are unbreakable. I try to give the listener a cinematic experience through my writing. Both volumes of CocoaButter N Vitamin E combined play like a mini-movie, describing a relationship from the beginning to its end.”

Rosalind enjoys repping New Jersey in a positive way, and feels that there is always room for more talent to grow in the area.

“I’m from the same area that Queen Latifah, Whitney Houston and Faith Evans are from – Essex County,” says Rosalind. “My father played basketball with Whitney Houston’s brothers. This area is very small and everyone knows everyone. Despite all of the amazing talent here, we seem to be overlooked, and I’d like to be a part of bringing people worldwide more of what we’ve got out here.”

As she moves forward in her career, Rosalind knows there is potential for growth in everything she does. Despite a tough upbringing, she’s managed to maintain a positive outlook on life and music. Her once drug-addicted father is now a minister, inspiring others to get their lives together. Now Rosalind hopes that others will draw inspiration from her movement in music.

“Through all of my experiences, I have become a well-rounded writer,” she asserts. “No matter how different each song may be from the other, they all come from my heart. I’ve invested in and managed my career thus far, and I’ve had computer hackers take away everything I worked for. Through it all, I am strong, and I’ve been humbled. I thank God, because I’ve finally found myself, and I’m still hungry and eager to learn.”

For interviews and press information, contact dove@tygereye.net

A painter creates on canvas, while musicians paint their pictures on the canvas of silence. If musicians are painters of songs, Jaiden may very well be the Vincent Van Gogh of his time. Not only is he an amazing vocalist with a four octave range, he’s an impressive songwriter, pianist, producer and captivating live performer.

On August 16, 2011, Jaiden will unveil his new Urban Pop mixtape project Shades of Grey: The Cure Suite II, which features guest appearances from Hip Hop lyricist Emilio Rojas and R&B songstress Kimberly Nicole.  Original production on the project includes contributions from Bryce Wilson (Groove Theory, Beyoncé, Babyface), Lion’s Share (Erykah Badu, Pharoahe Monch), The Baron Boys (Drake, Bow Wow), JRB, and U.K. alternative beat crafter The Caligraphist.

Jaiden’s latest singles “B4 We Even Kiss” and “Ain’t Enough” are currently available on iTunes, and he debuted the video for “Ain’t Enough” in July 2011. The video was the “New Joint of the Day” on BET’s 106 & Park, accented by a live performance from Jaiden on their “Music Matters” segment on July 19, 2011.

The past few years have been hectic for the young singer as he prepares for his full-length album, slated for a Winter 2011 release. This year alone, Jaiden has been touring with international superstars Shaggy and Chris Brown, and appears on three songs on Shaggy’s new album Summer in Kingston.

Dubbed “The Cure” after performing for Quincy Jones at the mogul’s Bel-Air estate, Jaiden has established himself in the industry through working with heavyweights. Growing up in New York, Jaiden was a part of a musical family, and began playing piano and singing at an early age. He spent much of his childhood acting in theater, film and television. With the release of his 2009 mixtape The Cure Suite 1, Jaiden broadened his fan base into music, and became an internet favorite with fans around the world.

A dynamic performer, Jaiden has toured with and/or performed on albums with Lauryn Hill, Jay-Z, Alicia Keys, John Legend, Fort Minor (Linkin Park), Diddy, Estelle, Shaggy and more. Jaiden also packs out his own shows, receiving accolades in cities across the U.S. including Los Angeles, Atlanta, New York and Miami.

Additionally, Jaiden’s adept songwriting has landed him some impressive placements in film and television projects, such as Gotti’s Way, Save The Last Dance 2, Noah’s Arc, Like Mike 2, and ABC Family’s hit show Lincoln Heights. He also has penned lyrics for the likes of Jeannie Ortega, Case, Anthony Hamilton, and Japanese pop group FOH.

It is now Jaiden’s time to emerge from the background, and establish his brand of music and artistry. Evolving through his own ‘Future Throwback’ sound, Jaiden incorporates the elements of music he grew up loving in his songwriting, hoping to push that classic quality to the next generation.

Fortunately, Jaiden has enjoyed the unique opportunity to study everything from branding to showmanship with some of the world’s greatest entertainers in an intimate setting. Through his travels, Jaiden has discovered the importance of connecting with his fans on every level.

“I’m a music fan first,” Jaiden explains. “I feel a lack of substance, vocal skill, and songs that you can live your life outside of the club to in the music that is available to us today. Also, I don’t feel like I know some of these artists, even after several albums. I write every song I sing, and I’m involved in much of the production. I play keys on songs, and when I record vocals, making sure people feel it is the most important part.”

Jaiden’s unique blend of legitimate musicianship and street sensibilities position him a front-runner in the new music market. Shades of Grey: The Cure Suite II offers music lovers an expanded view of soul, R&B and pop through Jaiden’s own refreshing perspective on the world.

“My project was written and recorded all over the world,” he says. “Some of the producers I’ve never met, and some are from other countries. It’s definitely eclectic, but cohesive, because it’s all written and performed by me. It’s free expression. I didn’t have any rules or boundaries or people to answer to. Artists are all seeking music that we feel – that means something to us.”

With so many new opportunities coming his way, Jaiden feels assured that he’ll get closer to his fans with each new song.

“Anything anybody wants to know about me, they’ll know through my music. Most importantly, I think, I feel… and I’m living and sharing my personal journey through song.”

For interviews and press information, contact dove@tygereye.net

Of the many hardcore rappers to emerge from Memphis during the late ’90s, Project Pat stood tall amid his peers. His affiliation with the Three 6 Mafia collective introduced him to many listeners, especially after he was featured on the group’s hit song “Sippin’ on Some Syrup” in 2000. Over a decade later, Project Pat is ready to unveil Loud Pack, a lively collection of songs fully produced by Juicy J and DJ Paul for Hypnotize Minds.

On July 19, 2011, the 15-track Loud Pack project will be available nationwide via Select-O-Hits, with a special bonus track exclusively on iTunes. With only three major features from Rick Ross, Brisco and Three 6 Mafia, Project Pat is aggressively giving fans the hardcore street music they love for his eighth studio album.

Rap music had long been a part of Pat’s life before he soared to national fame. His brother, Juicy J, co-founded Three 6 Mafia during the early ’90s, and though Pat was never an official member of the group, he affiliated himself with appearances on such albums as Crazyndalazdayz (1998) and Indo G’s Angel Dust (1998).

A year later, Pat recorded a solo album of his own for Hypnotize Minds/Loud entitled Ghetty Green. Though the project didn’t propel Pat to superstar status, it did establish him within the growing Dirty South scene, and his independently released follow-up album, Murderers & Robbers in 2000, did much the same.

Next came Pat’s high-profile appearance on Three 6 Mafia’s “Sippin’ on Some Syrup,” and when that song became a huge hit, the stage was set for one of his own. He gained his first solo success with the 2001 hit single “Chickenhead.” Produced by Juicy J and DJ Paul and featuring La’ Chat, the track became a Dirty South anthem and propelled Pat’s third album, Mista Don’t Play: Everythangs Workin, into the Top Five.

As Pat struggled with legal troubles, Loud pushed back the release date for Pat’s fourth album, Layin’ da Smack Down, until it finally arrived in the summer of 2002. Mixtape appearances and work with Three 6 Mafia bridged the four-year gap before Crook by da Book: The Fed Story arrived in 2006, followed by Walkin’ Bank Roll in 2007 via Koch. His 2009 effort Real Recognize Real was Pat’s first for the Asylum label, and featured the hit single “Keep It Hood” with guest OJ da Juiceman.

Now Project Pat is back and better than ever with Loud Pack, and there is no denying the unbelievably tight chemistry he shares with DJ Paul and Juicy J on the tracks. The lead single “Flashin’” stands out to Pat as a song that fans will gravitate to when they listen to the album.

“Flashin’” has something scary that DJ Paul put into it,” explains Pat. “It’s like an awareness song to let you know that you shouldn’t be so flashy out here. It’s ok to be flashy at a party or something, but no need to on a regular day, in a poverty stricken neighborhood. That’s not good.”

Aside from recording albums, Pat has contributed to nearly 50 mixtapes in the past few years, and has been investing in real estate on the side.

“Music has been really good, but the real estate has been really good too though,” Pat beams. “Houses have been really cheap to buy. So they kind of go together – I’ve been getting good shows, and I’ve been getting good money to buy real estate. I’ve been really blessed; I’m super good.”

For interviews and press information, contact dove@tygereye.net

**bio by Jason Birchmeier (All Music Guide) and Dove

A pinch of jazz, a dash of pop, a teaspoon of alternative and cup of soul… that is the recipe that singer/songwriter JoBee blends to create each new song. He has already gained loyal fans around the world, from music lovers to music industry professionals. Super producer’s Cool and Dre recently co-signed the bright young entertainer’s efforts, stating: “JoBee has a unique sound and outstanding songwriting.”

On July 20, 2011, JoBee will release Irresistible Me, a Deluxe Edition Mixtape EP with appearances from a slew of fresh-faced vocalists and producers, including work from Vybe Beatz (Lupe Fiasco, T-Pain, Wiz Khalifa), New York commercial/TV scoring team Sinima Beats.

JoBee will also debut his new video for “After the Club,” offering some Summer-friendly visuals to the track. JoBee is currently in the studio preparing for his debut full-length album Vocal Stimulation, slated for release in early 2012.

Hailing from the resilient city of New Orleans, Joseph McKeel a.k.a. JoBee does his hometown proud as he stays true to his roots no matter where he goes. His vibrant sound has been bringing joy to people around the world, as JoBee currently resides in Kuwait, and performs regularly throughout Europe. “People everywhere know and appreciate good music,” JoBee explains. “The biggest difference in fans that I’ve encountered is only due to cultural differences.”

From smooth dance moves to his sensual Southern voice, JoBee definitely knows how to bring it for audiences who appreciate vintage R&B as much as they enjoy mainstream pop. Descending from a long line of singers, JoBee developed an obsession for writing, arranging and performing at an early age.

Deeply rooted in the church, JoBee is greatly influenced by Gospel music and the immense affect it has on people. He has also taken notes from Jazz, Rock, Reggae and World music to build his catalog. JoBee’s enticing falsetto, performance versatility and focused work ethic have helped him stand out in an era that truly needs timeless talent.

“My favorite thing about writing is being able to express the most intimate, innovative and creative inner thoughts in the form of a story or character to music,” JoBee says of his craft. “I do it because it’s my calling, and also because of how it evokes emotion in others when they hear that same emotion I’m projecting. On Irresistible Me, listeners can expect a rollercoaster – I want people to feel like they’ve been taken on an emotional journey.”

Irresistible Me has been several months in the making. JoBee’s first official single from the project, “After the Club,” debuted #27 in the United States MediaBase Urban Indie Chart, and received airplay throughout the Gulf Coast and Southeast United States. The single landed #6 on Internet Add Chart in July 2010, just two spots down from Trey Songz “Bottoms Up” featuring Nicki Minaj.

JoBee’s second offering from Irresistible Me, “Speaking In Tongues,” debuted on the Top 30 Urban and Pop Charts for the Most Adds for Internet, College and Satellite Radio, landing one spot ahead of Rihanna and Drake’s monster hit “What’s My Name” in November 2010. JoBee also captured the runner-up spot on SongOfTheYear.com for his song “Driving Me Crazy”.

As JoBee continues to record for his full-length debut album, he’s setting sights a little higher to aspire for longevity in his career.

“I want to be remembered as a legend in my own right, and as someone who always had a message in his music. I’m a man of God, integrity, love, family, diligence, and heart. As an artist, I hope that people can see that I give my all and pour it all out there in my music. Just listen to my music, and you’ll know who I am.”

For interviews and press information, contact dove@tygereye.net

In recent years, many Hip Hop artists have forgone lyrical content in search of a commercial appeal.  The result is often catchy hooks that ultimately lack substance, and while that is good for the balance in the market, there are still fans that crave some intellectual stimulation in the music. Enter Narez, a lyrical purist from Queens, New York who aspires to bring the best of both worlds together.

On August 9, 2011, Narez will unveil Successful Suicide, a 13-track original street album with appearances from Joe Budden, Queensbridge legend Nature, Slip-N-Slide’s Swazy Baby, freestyle phenom Emilio Rojas, Laws of the J.U.S.T.I.C.E. League and more. All production on the project is handled by Grammy-winning talent Omen (Drake, Lil Wayne, Ludacris, Fabolous) and Jaywan (Jim Jones, Gucci Mane, Trey Songz, Paul Wall).

Omen also acted as executive producer on Successful Suicide, overseeing each element of the album. Narez attests that the musical chemistry Omen brings to his work is golden.

“Working with Omen is a blessing, and a privilege that not many indie artists can say they have with any producer of his caliber,” says Narez. “Omen is a genius at what he does. Our synergy is great, because the level of respect I have for him allows me to have total trust. I don’t need to question his calls, because I know that we’re both on the same page to make great music.”

In his quest to maintain substance in his lyrics, Narez still delivers riveting hooks and entertaining verses in all of his songs. He has traveled around the world, and enjoys an international following for his sincere approach to music. With over a decade of recording and performing under his belt, Narez is now ready to present himself to an even larger audience, and is expanding his horizons in the business arena as well.

“One of the things I am most proud of in my career thus far has been the opportunity to work with the artists and producers that I grew up listening to,” Narez explains. “Receiving that musical respect from my peers is priceless. On the business side, my biggest accomplishment is that I’ve been able to evolve and grow throughout the years as an independent artist, managing my own affairs.”

In 2010, Narez released the Hope of a Hostage album, hosted by New York’s DJ Superstar Jay. The project included features from Nature, Genovese from the First Cousins and model/rapper Gloria Velez, and was well received by Hip Hop fans. Now, with the August 9, 2011 release of Successful Suicide, Narez hopes that people can appreciate his story telling as much as they enjoy the array of talent he is able to rein in.

“The music on this project is pieces of my life, and what I went through at the time that I wrote each song.  I think that people can relate to it one way or another,” Narez says. “My two personal favorite tracks are ‘Cut’em Off’ and ‘Life Charger.’ In ‘Cut’em Off’, I describe why I have to cut certain people out of my life but I describe it through a story and giving graphic details. ‘Life Charger’ is also special to me because I wrote it right after a friend of mine committed suicide. I’m telling everyone that we all need a Life Charger to recharge ourselves, instead of letting ourselves die out.”

“As an artist and a person, my objectives are the same,” Narez continues, “to be as honest as I can in my music and in how I carry myself. Even if my stories or my conversations can make me look vulnerable at times, my strength is in being able to say what other rappers wouldn’t want to share. My victory is in how I overcome obstacles and motivate others to overcome similar obstacles.”

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