You may not understand the passion behind a crowd of people chanting “Brooook-lyyyn! Brooook-lyyyn!” at a concert if you’re not from New York, but ask any native Brooklynite, and they’ll tell you that the magic runs deep. When lyricist and songwriter T.S.A. (aka True Sun Ali) decided to carry the torch for his beloved borough, he knew he would have his hands full, but the gifted rapper is up for any challenge.

With nearly two decades of music under his belt, T.S.A. is ready to take his movement to new levels with his upcoming album The Candidate, slated for release this Fall via Checkmate Game Over. The album will be preceded by The Candidate Mixtape: Business & Politricks in June. With production from the likes of Lord Digga (Notorious BIG, Masta Ace), DBlock’s Vinny Idol, and 5th Seal (Talib Kweli, Joell Ortiz) already on deck, The Candidate is shaping up to be T.S.A.’s best project yet.

True’s work over several mixtapes, albums and guest features paints a picture of the dedication to his craft. From his days in the ‘90s with the group Maja Damage, to his debut solo album Introducing True Sun Ali in 2007, T.S.A. has celebrated many successes as an independent artist.

As a teen, T.S.A. developed his natural talent for music. Since Brooklyn was notorious for rap battles, he sharpened his lyrical skills and showmanship to compete with the best. He came to value the importance of studying his craft, and eventually embraced his songwriting abilities.

In time, True earned a healthy buzz in New York’s independent artists rap circuit, garnering an “Artist to Watch” nomination at the Underground Music Awards.  In addition to performing his own music, True has worked with the likes of Rock of Helter Skelter, D.V. Alias Khryst, and special projects with producers Lord Digga and Vinny Idol.

Promotion of his hometown is a huge focus in T.S.A.’s movement, and he takes his role at “The Voice of Brooklyn” quite seriously.

“Brooklyn has a very special place in my heart, and I want the world to experience the greatness we possess,” T.S.A. explains. “‘The Voice of Brooklyn’ means that I speak the lingo of every neighborhood in my borough. I’ve lived in almost every neighborhood, or I’ve hustled there, so my connection is very strong and visible. Many people I’ve encountered can only dream about coming to a place that has so much diversity and history.”

As built his catalog of music over the years, True also took time to learn the business. He started the Bankstaz movement with Rock Redd, formerly of Da Representatives, and later teamed with friends Magoo and Na’il to start the Checkmate Game Over label. This has all benefitted in creating a strong platform for T.S.A.’s future releases, as well as laying a foundation to bring forth more new talent. The company will eventually move in to film and merchandising, with more plans in the works.

Meanwhile, T.S.A.’s The Candidate Mixtape: Business & Politricks is certain to kick off Summer 2012 refreshingly.

“I think the mixtape will appeal to anyone who appreciates good music,” he asserts. “It will definitely get you in gear and ready for the album. I’m not really a fan of freestyles, so a majority of the music will be original, but there are a few hot beats out there that I may attack just for the love of a great formula.”

As he moves toward the Fall release of The Candidate album, True is confident in where he is heading artistically and professionally.

“The Candidate title indicates that I’m the best man for the job musically,” T.S.A. explains. “I want fans to get the best of me on this album, and inspire people in many ways. I want them to know that the sky is the limit, yes… but you can keep going! If you’re looking for an escape or just someone to love, I hope this album will allow you to at least see your way through… to shed light on your life, eternally!”

For interviews and press information, contact dove@tygereye.net

Artist and entrepreneur Doll Phace (aka Monica Floyd) has always possessed a passion for creating entertainment. Her invigorating spirit and engaging attitude are infused in her lively songwriting, which often revolves around relationships that any woman can relate to. Whether proudly claiming her independence in achieving success, or reliving a romantic rendezvous, Doll Phace takes us on a journey through her soul.

With the release of her new EP Get Used to This via her own True Vision Media Group (TVMG), Doll Phace asserts her captivating lifestyle through five strong tracks. With collaborative features from Snoop Dogg, E-40 and Baby Bash, the latter of which appears on the title track “Get Used to This,” and co-production from Grinehouse (Keyshia Cole, Ashlee Simpson), Rhythum D (Snoop Dogg, Bone Thugs & Harmony, Eazy E), the EP is an experience in enjoyable, dance-friendly urban pop.

Currently thriving in Los Angeles, Doll Phace was born Monica Floyd in Baltimore, Maryland. When she made the cross-country trek as an aspiring artist, she brought a strong love for music and her fierce B-More perspective with her. Floyd garnered the sweet nickname Doll Phace from school friends, but make no mistake, this business-minded tigress is no stranger to the board room.

At just 14-years-old, Floyd began studies and became a track star at Baltimore Polytechnic Institute (Poly), one of the top engineering college-prep high schools in the United States, Floyd went on to attend Morgan State University and University of Maryland College Park. She left school to pursue music in California, but later earned her Bachelor of Arts degree in five different areas – electronic media management, cinema, television, radio and film – from Cal State University at Northridge.

Floyd is founder and CEO of TVMG, and is a talented producer, director, writer and entertainer. While carrying out her vision to inspire through the arts, Floyd has secured performance deals for other artists, and produced and directed music videos and films.

An accomplished leader, Floyd has established herself as a top negotiator and persuasive motivator in the hectic Los Angeles entertainment industry. She is fluent in French, Russian and Arabic, with networking skills that are second to none. Prior to launching TVMG, Floyd negotiated deals for high profile comedians, and successfully promoted and produced numerous comedy events.

Floyd also served as Executive Producer and Co-producer of the recently released film Mama I Want to Sing, which stars Lynn Whitfield, Ciara, Patti LaBelle, Ben Vereen, Hill Harper and Billy Zane. In 2007, Floyd took on the role as Executive Producer and Producer of Eddie Griffin’s stand-up comedy DVD Freedom of Speech.

The ability to share passion in both business and music has consistently put Doll Phace in the midst of amazing life situations. As she prepares for the release of the Get Used to This EP, Doll Phace is confident that her positive outlook will expand horizons even more.

“Having a positive attitude is what I strive for, and I like being in that place,” Doll Phace asserts. “My central focus is on happiness, maintaining relationships, and having a good spirit, within a good place. Just like the song says, ‘get used to this’! I look forward to sharing my music, ideas and inspiration with as many people as possible.”

For interviews and press information, contact dove@tygereye.net

What do you get when you combine DJ Premier, the track master Rolling Stone dubbed “The Greatest Hip-Hop Producer of All Time”; the producer whose productions appeared on Hip-Hop’s most important records including his own group Gang Starr, Nas’ Illmatic, the Notorious B.I.G.’s Ready to Die, Jay-Z’s Reasonable Doubt and Mos Def’s Black on Both Sides with underground Hip-Hop legend Bumpy Knuckles (aka Freddie Foxxx), whose album Industry Shakedown still resonates within the industry?

You get 17 Premier-produced tracks of pure magic called The KoleXXXion that can’t be matched by any Hip-Hop release currently on the shelves.

Don’t miss this soon to be legendary release from DJ Premier and Bumpy Knuckles, with a little help from friends like Nas and Flavor Flav.

For interviews and press information, contact dove@tygereye.net

HULK Entertainment‘s primary vision is to provide a sound business structure in management, marketing and independent label services to talented artists and musicians in search of a career opportunity.

For over a decade, principal owners of HULKent have secured millions of dollars in endorsement deals and product placement for clients. They are also the owners and executive producers of two of the South’s premier entertainment outlets, FLAVA TV and the Texas Summer Music Conference.

Currently in its 18th year, FLAVA TV has grown to dominate the DFW television market. FLAVA TV is a celebrity-driven, one-hour video show that airs every Saturday night at 11pm on CW33. Through music videos and lifestyle interviews, all of today’s hottest stars can be found on FLAVA TV.

For the past 10 years, the Texas Summer Music Conference has played a major role in launching careers and networking opportunities for both unsigned and major artists. Past attendees include: Chris Brown, Erykah Badu, G-Unit, Paul Wall and the Grammy Academy, to name a few.

In coming months, HULKent will continue to develop their current roster of talent with national tours, international music releases and special marketing endeavors.

For interviews and press information, contact dove@tygereye.net

E-Leven and Continental T, collectively known as ME, didn’t grow up together or in the same neighborhood. Amazingly enough, they met from across the sea – one being from Lyon, France; the other Houston, Texas. They met randomly via the internet, and now bring us the fruit of their collaboration; which despite the geographical distance, is an inventive combination of their individual stories. They bring to you a cool and sleek take on Hip Hop, which came about down the phone lines across the Atlantic.

ME released their mixtape This Is ME in November 2011, which will be followed by a full-length album in Spring 2012, both via the France-based Atmosphériques label. Their story is quite compelling, as E-Leven was discovered by world-renowned tastemaker Ryan Leslie, and the rest is history! Read on…

In my room
It was only a question of time for E-Leven, growing up amidst his father’s record collection and attending shows from a very young age, the Lyon-born young man was destined to live a musical life. With his albums of Stevie Wonder, Supertramp and Kanye West as sole teachers, he started to play the piano, then went on to bass, guitar and then drums.

With the only wish to become a producer, he began recording himself on the hard drive of his Neko workstation. Meticulous and unpretentious, he developed his sound behind the scenes, mixing acoustic and electronic parts, live recording and digital tweaks.

Moving to the Paris region to study sound engineering, he unknowingly embarked on a life of new experiences. One evening, he signed up for a contest by Talent House, a music competition initiated by American producer Ryan Leslie (Mary J. Blige, Rick Ross, Booba…). He was in the final three, and although he didn’t win, he still came out on top.

You’ve got mail
Across the pond, in the US, Continental T was already living the dream as a young writer/producer with a career on the verge of taking off. At the ripe old age of 20, he knew everyone in the business and was living between Houston and Los Angeles. He had his music featured on mixtapes by Game’s Black Wallstreet DJ crew and had been part of one of the biggest leaks in internet history with the Lil Wayne and Drake record “I’m Goin In.”

One evening in 2010, as he was browsing through the Talent House list of finalists, E-Leven the French producer blew Continental T‘s mind. After exchanging mails then tracks online and spending several evenings chatting on Skype, the beginning of an artistic union was about to begin, and T was soon on a plane to Paris.

Visions
Something happened on the information highway. There was a connection and sparks flew. In the space of a single week, the duo sketched out a dozen tracks, some of which they played at their first concert, swiftly organized at Le China Club in July of 2010. That night, ME’s destiny was set in stone. It was also on that night that label Atmosphérique spotted this innovative duo comprising a French composer/producer and an American writer/producer, separated by an ocean but united by a vision.

This is ME
They had obvious chemistry, especially in the studio: E-Leven composed and played, Continental T thought of beat ideas, hummed and made his mark. Together they defined with a few chords the sound of ME. That’s how track “SBS” came into being, a perfect synthesis of the duo’s style: a glossy production mixing organic and electronic elements, the warmth of rounded bass lines and the groove of massive beats.

One foot in rap, the other in an alien musical territory inhabited by the ghosts of soul, rock and electro: the two artists settled on a coherent yet broad identity. It consists in subtle guitar lines and unabashed piano parts, The Neptunes’ modern take on production and The Roots’ digital forays; few notes and soaring arrangements.

It is a futuristic, impetuous kind of soul that changes just as you think you’ve grasped it, as seen in the electronic turbulence agitating the piano on “SBS“, the rock drumbreaks on “The Fsaud“, the tempest brewing beneath the calm surface of “My life is a Friday” and the pop warmth of “Subliminal“.

Continental T’s verses also reveal a more personal, more private dimension to someone who is not just a technical genius. As much at ease in forging pop anthems (Mister T) as he is in exercising his inner demons through arrogant rap styles, he never shies away from self-scrutiny, sharing the complexities of a life he doesn’t dwell on nor shut out completely. He brings bitterness and silence, impudence and anger to E-leven’s dark compositions, providing them with spirituality and subtle shading that make them sound like nothing ever heard before.

Behind the tranquil gaze of the two brothers lies a volcano of creativity, fueled by a desire to play around with a wide range of influences, resulting in music with high emotional impact that is greater than the sum of its parts. Apart from the record, the gigs and the friendship that has developed from this chance encounter, ME also tells the story of a genre that emerged in the streets of New York, digested 30 years later by two artists on either side of the Atlantic. Something has lived on, and that something is ME.

For interviews and press information, contact dove@tygereye.net

From the moment you hear the strains of his music, you immediately know that you’re not listening to an ordinary artist. For SoulBrotha, also known as SB, all the little details that differentiate between the ordinary and spectacular are present as he connects with music lovers.

On November 25, 2011, SB will release his Southpaw EP, a collection of songs that are as much personal to the young lyricist as they are artistic. The first single from the project “Way of Love (Never Out of Season)” was released in November, and will have an accompanying video prior to the EP’s official release.

SB explains that crafting Southpaw was an intense process, driven by true passion for reaching the masses through musical expression.

“Due to the situations and challenges I was facing at the time of writing the songs for Southpaw, I consider it a very special project dear to my heart,” explains SB. This is my most personal and intimate record yet, and really shows my growth as a songwriter. All the songs were written performed by me, so this has given me a unique opportunity to showcase different strengths and talents I knew I had all along.”

SoulBrotha brings his charismatic, undeniably versatility to each song he writes, spinning tales of passionate romance on one track, speaking on the hazards of superficiality on another. SB is a firebrand MC in conceptual command of his aesthetic. He blends brutal honesty with spirituality and action, while calling attention to social issues with the ferocity of a cultural revolutionary and the precision of a surgeon.

SB first showcased this multi-dimensional sound on his widely-praised debut album Ezekiel Hanani LP. He continued this tradition on 2008’s Exodus mixtape, which ended up on many critics’ year-end lists.

He kicked off 2009 with the first ever concept song about the micro-blogging behemoth, Twitter. Within hours of its release, “The Twitter Song” had the Internet ablaze, cementing SB’s ability to inspire audiences all across the board.

Despite his online buzz and regional success in the U.S., specifically his current home of Houston, Texas, SB is not resting on his laurels and has his sights on breaking ground in Nigeria, his first love. Unapologetic about his Christian faith, SoulBrotha’s sound reflects exposure to a wide array of influences, thanks in part to his unique heritage; born to Delta State parents, raised in PortHarcourt, inundated with a vast array of eclectic influences.

“I think being Nigerian affords me the ability to expand in the most creative fashion,” he asserts. “I was raised on so many genres of music, and my background offers a unique perspective on the world and socio-political events. The music scene in Texas has always been rooted in a DIY mentality. We don’t wait for things to be handed to us, we just go and do what needs to be done. I’ve been blessed to be surrounded with a great team of people who share my vision, and are passionate about the kind of music I’m making.”

Southpaw marks a new era of sound for SB, and he acknowledges that he’d like fans to relate to both the lyrics and melodies throughout the project. He feels that the artistic connection with producers on the EP definitely contribute to that sensibility.

“Both producers Joe Andriulli and BroadNMarket are close acquaintances of mine,” SB explains. “I’ve known BNM for several years, and this was our first project together. We’ve found a ‘lane’ of sorts where we can both express ourselves creatively, same for Joe as well. As for the messages in the lyrics, for those familiar with my previous work, it’s still the same motivational lyrics that are faith-based, and are intended to inspire and evoke a winner-mentality in everyone.”

From heartfelt anthems to soul-shaking rhythms, this renowned MC is sure to leave an indelible impression on music-lovers.

“I want people to understand that I’m just a man who isn’t perfect, but is striving to be the best person he can be for his family, friends, and for the world at large,” says SB. “I am here for a reason – we all are – and until one’s purpose for existence is fulfilled or achieved, one can never truly enjoy the best life has to offer. I will keep on making music that is cutting edge and timeless. I hope to inspire and motivate our generation, and hopefully future generations to come.”

For interviews and press information, contact dove@tygereye.net

Memphis-born rapper Zed Zilla is looking to collect on all the hard work he’s put in over the years with the release of his new street album Rent’s Due. The young entertainer has been laying the foundation for his nationwide debut under the tutelage of his mentor Yo Gotti, and represents the first official release on Gotti’s Cocaine Muzik Group (CMG) imprint.

In October 2011, Zed released his Rent’s Due mixtape, hosted by Bigga Rankin and featuring Yo Gotti, 2Chains and R&B crooner Pleasure P. In April 2012, he will release his follow up mixtape project Rent’s Due: Late Notice hosted by DJ Drama.

“I’m blessed to be working with Yo Gotti,” Zed Zilla explains. “He has been down the road I’m headed, and he holds no punches. We came together with a plan, and watching the plan put into effect and to be working is all I could ask for. With the Rent’s Due project, I was given complete control over what songs and features I wanted. I worked mostly with my in-house production team Quantum Sounds, and I was in my comfort zone. I’m ready to show the world who Zed Zilla is.”

Zed Zilla has been creating music since he was just 15-years-old, and his stage name was bestowed upon him by a friend who felt his rhyme style flowed fierce like Godzilla, the fire-breathing monster who lit up everything in its path.

Rent’s Due was Zed Zilla’s first label release, although he did have four critically acclaimed independent CDs under his belt and dozens of cameos to his credit. The clever wordsmith also appeared on all six installations of Yo Gotti’s popular Cocaine Muzik mixtape series.

In 2011 alone, Zed Zilla completed a 20-city tour, hitting major markets like St. Louis, Atlanta, Richmond, and New York for sold out venues. He is continuing with more performances throughout the U.S. as the new year arrives, and has sincere appreciation for the energy fans bring at live shows.

When he isn’t on tour, Zed lives in the studio, gracing hot tracks with his lyrical mastery. Who can forget the way he ripped it with Yo Gotti on the club hit “Bang Bang”? He left no doubt who he was on “I’m Da Boss,” and explained exactly how he did it on “No Chorus.” Zed Zilla guarantees there is much more where that came from.

“My music has a lot of variety – you’ll find soulful tracks as well as club bangers. I put a lot of different emotions in my music. You can ride to it, drink to it, club to it, some of it may even make you cry.”

Confident, yet modest, Zed Zilla has a mic in one hand with the other outstretched ready to take his cut. It’s been a long time coming, but true talent can’t be denied. The landlord has arrived and the Rent’s Due!

For interviews and press information, contact dove@tygereye.net

From the runway to the university to the DJ booth, Adriana Carrillo-Hsu is the epitome of the total package. Adriana brings a refreshing style in her delivery of multiple music genres, and she is setting pace to be the next big name in the nightlife arena. Between celebrity-driven parties on the lively Las Vegas strip to regular gigs in the Southwest region, Adriana is quickly becoming the go-to DJ for promoters in the know.

With a professional background in events and marketing, Adriana brings her vast knowledge of the business, from conception to performance and execution. Currently pursuing a Juris Doctorate Masters in International Marketing to follow her three completed Bachelor’s of Arts degrees from Arizona State University, this exotic beauty, whose unique looks stem from Peruvian and Chinese roots, has also proven successful in the fashion sector. She has appeared in several national and international print features, with more in the works.

Adriana has always set her sights high. She was introduced to the world of dance at age 3, and was always moving to the beat in her ballet, jazz, tap, or even flamenco shoes. Some things never change, because you will still catch her dancing any time music is playing. Throughout her childhood, Adriana learned to play a number of musical instruments, including traditional piano, violin, harp and the ancient 古箏 (guzheng or zither).

Adriana was introduced to Hip Hop by her older brother, and her knowledge of music within diverse genres grew as she did. The combination of musical passion and the sheer love of entertaining a crowd led Adriana to DJing. Of course her goal was to take her own enthusiasm for music to the masses, but not without learning the fundamentals of the art like some of her idols.

“There are a few female DJs that I really look up to,” Adriana explains. “As turntablists. Tyra from Saigon and DJ Shortee have influenced me, and as far as utilizing their name and fame for a good cause, DJ Tina T with Camp Spinoff is great. As far as rocking a club, I love DJ Kayper. I was fortunate to learn some good tricks in turntablism when I decided to make it my full-time career by an amazing battle DJ. I personally feel that since I was 18, I have gotten to hone my programming skills, and latch on to the energy and vibe that really gets the crowd going.”

Although Adriana continues to be inspired by those who have blazed trails before her on the turntables, she is beginning to carve out her own niche in the diverse world of DJing.

“I’ve been surrounded by music my whole life, so I’ve been a slave to rhythm as long as I’ve known,” says Adriana. I bring the complete package; the talent and skill mixed with the right music in any genre, a great attitude which can be felt through my set, and also a classy appeal that draws people in. So many girls try and bank on their looks, but that can only open the door for them. The opportunity for females is there, and I excel to be not only the best female DJ, but the best DJ that I can be. I will earn the respect from the people that came before me and those to follow, because I have the passion for it. I don’t do it for the money or fame – even though neither of the two hurt!”

With new goals on the horizon, Adriana is picking up steam in Vegas, with frequent travel to Hong Kong, Los Angeles, Taipei, Scottsdale, Miami and New York. The Las Vegas scene alone provides unparalleled energy, especially when it comes to some of the world’s best DJ’s rolling through to kick off the parties.

“To me, Vegas is the definition of variety! In one night, I can hear DJ Vice, Skrillex, Deadmau5 and A-Trak! In one week? Incorporate, DJ Reach, Alesso, Afrojack, Calvin Harris, Manufactured Superstars, Steve Angello and more. Inside of a venue like Marquee, I could hear Hip Hop from Eric D-Lux and House from Dash Berlin in the same hour. It is incredible. Granted, other cities are graced with the presence of these amazing DJs, but we get it weekly! I have lived all over the U.S. – Scottsdale, NYC, Chicago, Miami, L.A. – and in Asia – Taipei and Hong Kong. I have gotten the best of every city and, have created a style that is my own. I am in tune with what can keep the dance floor moving and the drinks pouring!

“I feel that not everyone can go out to places in Vegas every night,” she continues. “They get all dressed up, they pay top dollar for an amazing vacation, and they come to clubs like Marquee, XS, Surrender, or Pure because they want to have nights that they will remember forever! As a DJ, it is my passion and desire to make sure they get everything they ask for and more. Now, I want to bring a little bit of Vegas with me everywhere I travel to play.”

Rounding out the year into 2012, Adriana will be increasing her exposure across the United States. Her goal is to travel to embark upon more world travel in the next year, and she aspires to become a brand ambassador for companies that understand her vision. Additionally, she has also taken on remixing songs, and will eventually delve into professional music production.

“I would really like to work with production more,” explains Adriana. “I sing and I play the harp and the piano, so music just runs through my blood. When it comes to remixes, I love making a song into something completely different without ruining the original. I would like to eventually remix songs with my own production or my singing down the road. I’m just taking it one step at a time.”

For interviews and press information, contact dove@tygereye.net

NexCyx [nex-ix] – a connection between varying personalities.

NexCyx began in 2004 as a musical experiment on the University of West Indies campus in Barbados. Since then, it has evolved into a celebrated outfit, with a repertoire of original hit music, and a solid—and growing—fan base. The five personalities that form NexCyx today are as diverse as their stories are intriguing.

The Barbadian pop band is an artistic mishmash of a self-taught pianist turned producer (André), a drumming prodigy (Chad), an accidental bass guitarist (Kris), a one-woman dancer-singer-rapper (Mahalia) and a hardcore rocker (Russell).

NexCyx exudes an unmistakable energy—it’s fresh, upbeat, bold and unmistakable. In 2010, when they welcomed Chad, drumming wonderchild, to their lineup, they dished out an extra serving of youthful swagger. Together, they’re just what the music industry ordered, it seems. And the fans aren’t complaining either.

In under a decade, NexCyx has played at a range of venues throughout North America and the Caribbean region, while holding down a demanding gig schedule in Barbados, where their singles are in heavy rotation at local stations.

“Gossip Girl,” released in 2009, became the band’s breakout single and instantly landed as a fan favorite. Hits like “Queen,” “On The Floor” and the socially conscious “Take A Minute,” also followed, etching a place for NexCyx on the international music stage—and ushering in a new era of fandom.

A high school auditorium filled with screaming students belting out the band’s hits word for word tops the cake for Russ. And there are other meaningful band experiences that stand out for each member: opening for Erykah Badu and Angie Stone to wild applause, hopping on to the SXSW stage two years in a row, and performing to rave reviews at a concert headlined by Jamaican musical duo, Brick and Lace.

There are plenty memorable moments when the band is off stage, too—especially when they’re on tour. There are stories of leaving nightclubs on the back of a pickup truck, Russ’ mysterious keeling over post-gig in St. Maarten and Chad’s mischievous jaunts to unspeakable places that don’t always end well.

It’s these types of experiences that help define their inimitable musical flavor. In their words, if it were an icecream, it would be loaded with nuts (lots of them), chocolate, gummi worms and tequila—with a cherry on top.

That said, there is a distinctive camaraderie that the band shares, which musical groups the world over struggle to achieve.

Admittedly hard to brush aside when you’ve got goals as big as theirs: placement of NexCyx’ tracks in movies, TV shows and video games; major concert gigs (on top of the Eiffel Tower, Madison Square Garden and the American Airlines Arena in Miami, FL, to be precise); plus, an attractive distribution deal.

And it’s not that farfetched when their journey in music so far is considered. There’s an MTV Artist of the Week accolade in their history already—and an Artist of the Month title from Rockwired.com.

So what else should fans know about NexCyx as their career takes off even further?

That they love Axe, Converse, Oakley, Ray-Ban and Sennheiser—and collectively follow Cristiano Ronaldo, Dave Chappelle, Jessica Alba, Rihanna and Rescue Animals on Twitter.

How’s that for varying personalities?

For interviews and press information, contact dove@tygereye.net

Bay Area rap icon San Quinn is celebrating the July 19 release of Can’t Take the Ghetto Out a Ni**a in association with Prominent House Records and Select-O-Hits! The 18-track album features appearances from E-40 and various artists from San Quinn’s own Done Deal 772 Entertainment label.

A native of Oakland, San Quinn relocated to the notorious Filmore district of San Francisco, and began his career as a teen in the early ’90s alongside J.T. the Bigga Figga. He made his professional debut in 1994, when he contributed to the first two official Get Low releases, J.T.’s Playaz N’ the Game and the Get Low Playaz’s Straight Out the Labb.

Prior to that, Quinn had recorded an underground album, Don’t Cross Me, which was re-released by Get Low in 2000, and during his tenure with Get Low, he recorded the solo projects Live N Direct and Hustle Continues, both distributed widely by Priority in 1996. Quinn then moved on to teamed with Messy Marv on Explosive Mode (1998) and began recording solo albums for various independent labels, beginning with The Mighty Quinn (2001) for Champeli.

Between his solo albums, collaborative efforts, mixtapes and compilations, San Quinn has contributed to nearly three dozen full-length projects in his 20-year career. With the new singles “Big Bank” and “On dat Vodka” featuring E-40 and Goldy both picking up with radio, San Quinn is looking forward to developing his Done Deal 772 Entertainment imprint in the coming months.

FULL BIO COMING SOON!

For interviews and press information, contact dove@tygereye.net