- Interview w/ SiriusXM Invasion Radio @ DrJays.com - July 2012
- Interview @ VladTV.com – June 2012
- Day in the Life with Yo Gotti @ Thisis50.com – June 2012
- Interview @ FuseTV.com – May 2012
- Interview w/ The Breakfast Club @ Power1051fm.com – May 2012
- Interview @ Baltimore Sun – May 2012
- News @ HipHopDX.com – March 2012
- News @ AllHipHop.com – March 2012
- Interview @ OnWaxMagazine.com – Feb 2012
- Interview @ AOL Music’s TheBoomBox.com – Jan 2012
- January 10th mixtape review @ RapReviews.com – Jan 2012
- “Go Girl” single review @ DJBooth.net – Jan 2012
- 5 Reasons @ SOHH.com – Jan 2012
- Interview @ MTV.com RapFix Live – Jan 2012
- Interview @ HipHopDX.com – Jan 2012
- “Harder” review @ PlanetIll.com – Dec 2011
- “Harder” ft. Rick Ross single review @ DJBooth.net – Dec 2011
- Interview @ BlowHipHopTV.com – Dec 2011
- Interview @ Thisis50.com – Nov 2011
- Interview @ VladTV.com – Oct 2011
- Interview @ StreetLogik.com – Oct 2011
- Interview @ MsDramaTV.com – Oct 2011
- Interview @ MSN.com Groove Blog – Oct 2011
- Interview @ MTV News Mixtape Daily – Oct 2011
- Interview @ XXLMag.com – April 2010
- Interview @ Rap-Up.com – April 2010
- Interview @ VladTV.com – March 2010
- Interview @ PlanetIll.com – March 2010
- Interview @ MissLS.net – March 2010
- 2010 SEA Winners @ CommercialAppeal.com – March 2010
- Interview w/ The Fader – March 2010
- Interview w/ BeyondRace.com on YouTube – Feb 2010
- Interview w/ Juice Magazine (Germany) – Feb 2010
- Interview @ PoPolitickin.com – Jan 2010
- Interview @ HipHopWired.com – Jan 2010
- Cocaine Muzik 4 review @ DJBooth.net – Jan 2010
- Interview @ SoJones.com – Jan 2010
- Profile @ TheFader.com – Jan 2010
- Interview @ RagoMagazine.com – Dec 2009
- Interview @ DrJays.com – Dec 2009
- Interview @ StreetLogik.com – Dec 2009
- Interview @ Ballerstatus.com – Nov 2009
- Ozone Magazine Cover Story – July 2009
- Interview @ ThisIs50.com – July 2009
There is no denying that Yo Gotti is one of the hottest rappers in the streets, with some of the highest quality music. His street albums make serious noise without a major push, he stays on the road performing paid shows and his fan base has boomed in the past few years. He currently boasts over 1.5 million fans on his Facebook page alone, and over 450k on his active Twitter page.
2012 has proven to be Yo Gotti‘s best year ever, as he successfully launched his own six-week Road to Riches Tour in May. Yo Gotti is currently recording his highly anticipated CM7 mixtape, slated for release this Fall, and a new full-length album.
In 2011, Gotti realized the formal launch of his own CMG label, and debuted Zed Zilla‘s Rent’s Due mixtape as the first official release. In January 2012, Yo Gotti released his major label album Live From The Kitchen via Polo Grounds Music/RCA. This highly anticipated album expanded upon the sound made famous with Gotti’s popular Cocaine Muzik mixtape series.
Yo Gotti’s uncanny ability to translate real life situations and experience into memorable songs makes Yo Gotti so potent. It’s something he developed while listening to the great story raps of Memphis pioneers 8 Ball & MJG. “When I listen to music, I don’t like it if I can’t see it, if I can’t imagine it happening,” he says. “If it’s like that, I can’t mess with it.”
Growing up in Memphis, Yo Gotti quickly learned about recognizing reality. When he was in the third grade, Federal Agents raided his family’s residence. His mother and his aunts were indicted and sent to serve 10 to 15 years because they refused to snitch. No wonder he feels as though he was virtually born into street life. “That’s the bloodline I come from,” he boasts. “I’ve got women that are realer than the dudes out here.”
Yo Gotti soon started running with kids five or six years older than him. They called him Yo (short for his given name, Mario) and added the Gotti surname later because of his affinity for doing things kids his age typically didn’t do — shoot dice, watch out for the police and recruit his own crew of kids that followed him. Funny thing is, Yo Gotti had no idea about the Gotti crime family at the time. He was just that thorough.
Rather than feel as though his opportunities were limited, Yo Gotti chose to focus on becoming successful. “Coming from Memphis, it makes you strong and it makes you grind more,” he says. “Out here, nothing is given to you. Nobody helps you do anything. So if you’re going to get it, you’ve got to go get it. Literally. I think that’s why you don’t hear about that many rappers from Memphis like you do from other cities. But it helped me because I’m not the type of guy that complains. From where I come from, you could be dead or in jail. So I wasn’t expecting anyone to do anything for me.”
Thus, Yo Gotti would take advantage of any and every opportunity. Through his brother, Yo Gotti got to interact with and study the business savvy (and lack thereof) of several prominent Memphis rappers. He then used the work of N.W.A, 8 Ball & MJG and Cash Money as a blueprint for his own reality-based raps. As he refined his own music, Yo Gotti took different things from Memphis’ two most successful rap outfits. His goal was to rap about real subject matter like 8Ball & MJG with the energy and intensity of Three 6 Mafia.
Yo Gotti’s self-created buzz in Memphis lead to a deal with TVT Records, home then to Lil Jon, Ying Yang Twins, Pitbull and others. But when the imprint went bankrupt in 2008, he was given three days to come up with $500,000 to buy his contract and gain his independence. Ever the businessman, Yo Gotti paid for his contract himself – only to quickly sign a lucrative deal for himself and his Inevitable Entertainment with Polo Grounds Music/J Records (now RCA).
With a string of hugely successful major classic mixtapes and street albums, Yo Gotti has been able to thrive during a period when many artists are seeing their popularity wane.
“I think what we’ve done in the last few years is living proof that if you hustle, you can survive regardless,” he says. “I’m the hottest I’ve ever been and have grossed the most money independently. If you’ve got good music and you’ve got a grind, you make a demand for yourself.”
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